Carry Fire is a project that features some of the most engaged writing he’s committed to tape in quite some time. While so many of his ’60 and ‘70s rock contemporaries have taken up full-time duties curating their own back catalogs, Plant has continued to push forward as an artist. Though it is meant to highlight the best work in this genre, hopefully, you can also make some discoveries through this list.Ĭarry Fire is one of the best solo offerings of Robert Plant’s career, and that really is saying something. After all, the point of these lists is to examine the way music has changed or moved throughout the year, and our year-end framework will continue to reflect that impetus. So, we’ve opted to leave the albums that appeared on the overall best list off the genre-specific lists. So here you have ’em: the best rock albums of 2017.Įditor’s note: The point of more extensive genre lists is to help give shine to albums that wouldn’t make it into the overall best albums list. Throughout the year, some bands prospered, while others would fall, making 2017 simultaneously one of the most promising, horrifying, and constantly emotional years of recent memory. In 2017, new albums from - and just the existence of - bands like Downtown Boys exist as an inherent protest to the policies of the current presidential administration, making these releases more than just good music, but also imperative parts of the national dialogue.įrom the first days of the year, it was clear that rock music was going to have a strong outing over the twelve months, boasting releases from legends like Robert Plant to veteran indie rockers like The World Is… and Slowdive to relative newcomers like Vagabon and Australia’s Smith Street Band. As such, in 2017, we found ourselves incredibly lucky to have so many minority voices present in the sphere of rock music during a year where they were most needed. However, as the saying goes: When one door closes, another one opens. Sadly, this year, we lost Chuck Berry, leaving behind an unparalleled legacy of kickass dance moves and damn good guitar licks. It served as a massive economic opportunity for performers of color, with artists like Chuck Berry and Little Richard marching to the forefront of the national conscience and opening up a door into a whole new world of minority voices. In its early years in the mid-twentieth century, rock music faced a lot of backlash due to its nature of inclusivity and breaking down of racial barriers.
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